Filters: ND/PL over CPL, ND64-128 in bright scenes, and the eclipse lesson
'I'll just leave the ND filter off and then add motion blur in post' - when he's in a hurry.
A polariser's correct angle depends on the sun and the drone's heading, and it can only be set on the ground - so he rarely uses plain CPLs, preferring ND/PL for the light reduction. The student's Mavic 3 Pro has an aperture; the Mini 4 Pro (like the Air 3) is fixed f/1.8. Night: NDs off for the lowest ISO; snow and sand: ND64, sometimes ND128. The student had bought an ND2000 and laser glasses for an eclipse hyperlapse, then learned it could cook the sensor and the glasses block a narrow band - abandoned.
Filter strength by scene, and one warning worth repeating.